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Updated 2024 Approved Premiere Pro System Essentials What You Need to Know Before You Start
Premiere Pro System Essentials: What You Need to Know Before You Start
System Requirements for Running Premiere Pro: How to Set Up Computer
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Behind the Scenes: 10 Movies That Rely on Final Cut Pro for Editing
Top 10 Famous Movies Made By Final Cut Pro
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.
Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.
You may also like: 8 Best Movie Trailer Template for After Effects
Top 10 Movies Made by Final Cut Pro
Let’s take a look at ten major movies that have been edited using Final Cut Pro.
1. The Social Network (2010)
Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.
The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.
2. The Girl with the Dragon Tattoo (2011)
This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.
One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.
3. John Carter (2011)
A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.
The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.
4. 500 Days of Summer (2009)
This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.
Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.
5. X-Men Origins: Wolverine (2009)
Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.
Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.
6. Burn After Reading (2008)
A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.
The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.
7. No Country for Old Men (2007)
A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.
The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).
Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.
8. 300 (2007)
Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.
To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.
9. Sky Captain and the World of Tomorrow (2004)
With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.
Editing on the movie was by Sabrina Plisco.
Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.
10. Cold Mountain (2003)
This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.
The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.
This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.
While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.
It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Streamline Your Workflow: Top Adobe Premiere Shortcuts You Need
Top 20 Adobe Premiere Shortcuts You Will Use When Editing Video Files
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Phone-Friendly Design: The Importance of Aspect Ratio Considerations
Best Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone
An easy yet powerful editor
Numerous effects to choose from
Detailed tutorials provided by the official channel
When you’re taking a snapshot of someone or something and posting it to social media, you’ll need to decide if it’ll be a portrait or a landscape orientation. And that’s where the knowledge regarding the phone aspect ratio vertical comes in!
This post will dive into the rise of the phone aspect ratio vertical, including best practices on using phone ratio calculator and mobile vertical video size based on its final viewing platforms such as YouTube, Instagram, or broadcast.
In this article
01 [Why Vertical Videos Are in the Frame?](#Part 1)
02 [Different Aspect Ratios on Mobile Screens](#Part 2)
03 [Tips to Shoot a Vertical Video](#Part 3)
04 [Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone](#Part 4)
Part 1 Why Vertical Videos Are in the Frame?
Did you know that there are six aspect ratios in total for videos and photos that marketers and creators use? These aspect ratios are 9:16, 16:9, 1:1, 4:3, 3:2, 21:9. The first way to choose the right aspect ratio for your video is whether the video needs to be vertical or horizontal.
A video that’s portrait or vertical mode is taller than it is wide. The entire screen is devoted to vertical video capturing while gaining attention.
Smartphones are to be held vertically, and although you can view media always horizontally, it’s far simpler for watchers to consume media while keeping their mobile phones upright.
Vertical videos are available in different sizes, but the most standard instances come in the 9:16 aspect ratio. While the traditional format of watching videos on phones has been horizontal with an aspect ratio of 16:9, vertical videos are taller than more comprehensive, hence the reversed aspect ratio. And, this is the main reason you see vertical videos in the frame, and thus, they need to be fixed or rightly shot in terms of ideal phone aspect ratio vertical.
Part 2 Different Aspect Ratios on Mobile Screens
The aspect ratio also measures how tall or wide a display is. Still, it shouldn’t be mistaken for ‘display/screen size’ calculated by diagonally measuring throughout the screen.
The phone aspect ratio vertical is commonly written in proportions with the more petite figure on the right side and the more prominent figure on the left-hand side. It’s also sometimes called a decimal, the more prominent figure divided by, the more petite figure.
It means that a display aspect ratio of 16:9 can also be called an aspect ratio of 1.78, i.e., 16/9.
Types of Aspect ratio
● 16:9 Aspect Ratio
16:9 is one of the most common aspect ratios used on smartphones. Sometimes showcased as 1.78 or 4²:3², the aspect ratio has become typical for smartphones and other devices since 2010.
It generally means there will be 16 pixels in one direction for every 9 pixels in the other for a device with a 16:9 display.
Devices with a 16:9 aspect ratio are usually broad, and they became the standard aspect ratio for smartphones because most contents are also available in the exact format. So you would enjoy videos and gaming in full widescreen quality on a 16:9 aspect ratio device.
On the other hand, you’ll experience the “Letterboxing effect“ on devices that aren’t available in 16:9 aspect ratios and where black bars/bands appear at the bottom and the top of the content you are wandering.
● 18:9 Aspect ratio
This 18:9 aspect ratio was born out of the need to maximize the size of displays without increasing the dimensions of phone sizes.
The narrow design of 18:9 aspect ratio devices assisted for better one-hand grip, smooth multitasking, enhanced usability, and more screen real estate, etc. Yet, because contents are highly present in the 16:9 aspect ratio, there will be “black bands” at the top, bottom or to your display’s right or left.
The 18:9 aspect ratio allows for convenient usage of smartphones, provided we put the content-cropping and letterboxing aside.
● 19:9 Aspect ratio
19:9 is another smartphone aspect ratio that is becoming increasingly famous and used by top OEMs like Samsung, Huawei, ASUS, and Apple on their flagship devices.
The smartphones with a 19:9 aspect ratio are available with increased height and 19 pixels in single direction for every 9 pixels in the other. Similar to 18:9, devices with a 19:9 aspect ratio generally have pretty non-existent and slimmer bezels, but you’ll enjoy vast screen real estate with the latter.
Understanding iPhone Vertical Video Dimensions
Apple boasts a 16:9 screen for the versions of iPhone 5 onwards. Most Google/Android phones already had a 16:9 screen at that point. Thus, to export a vertical video, you would want it to be 9:16. (16:9 standing up!) and it’s the ideal size for iPhone vertical video dimensions.
The highest quality vertical video’s output is 720 Horizontal by 1280 vertical for 1080p (1080X1920).
The highest quality vertical video’s output is 576 horizontal by 1024 vertical for 720p (720X1280).
Vertical Phone Aspect Ratio for Video
Let’s now understand the mobile vertical video size! Vertical video is pretty higher than it is wide. Instead of being shown in a landscape orientation or widescreen format, the way video has traditionally intended for television and cinema and television, and the vertical video rotated by 90 degrees.
Hold your phone upright and record video in a 9:16 aspect ratio. Hence, the name vertical video is said to be!
It’s because if you horizontally hold your phone, the viewable screen area is 16:9 aspect ratio. The same standard is for most HDTV, video production, and cinema screen sizes.
Part 3 Tips to Shoot a Vertical Video
Besides using the photo ratio calculator, we’d like to enlist some tips on getting started with your phone aspect ratio vertical shooting.
1 – High production quality is not essential
Yes, the content is the king, and people or the end customers may not notice your video quality than the content. So, don’t be afraid when you start and move ahead with your DIY budget.
2 – Use the Ideal Dimensions
Whether it’s iPhone vertical video dimensions or other Android and Windows devices, you need to use the ideal dimensions already discussed above.
3 – Engage your audience better
You can incorporate little details within the video and engage your audience better. You can also add captions and burn them within the video.
4 – Optimize vertical videos
You can optimize vertical videos for viewing without sound. Try watching your videos without audio to see if they still make sense without that context. You likely won’t achieve the same excellent results made possible with good video marketing if they don’t.
5 – Capture Attention
Yes, you need to attract the audience and capture their attention within seconds. And, it’s the only or one of the best tricks t get your audience hooked for the long term. Don’t underestimate the significance of storytelling, and you can thus add them for creative looks.
Part 4 Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone
Are you looking to capture the video in the correct phone aspect ratio vertical? In this section, we will discuss a few helpful tips that will assist you in shooting a better vertical video in any condition you want to sort.
1 – Shoot in the desired or ideal aspect ratio
Any video bigger than the aspect ratio of 1:1 is vertical video.
It’s possible to create vertical videos two ways:
● By framing a camera in portrait mode.
● By rendering it vertically by scaling or cutting the video.
2 – Split the screen
You can use the tall height of the vertical frame to stack horizontal clips on top of each other creatively.
Clips can be related in appearance and content or appear to mend into one another. Various music videos have also used this technique.
You can also try merging various diagonal lines or clips for a unique look.
3 - Fill the vertical space
You can quickly fill vacant space in the frame automatically by getting closer to the subject.
When the camera is angled down and raised high, you automatically get a deep frame for filming long shots that fill space.
The above-the-head perspective provides an attractive and latest POV that serves the exact purpose.
4 - Try not to shake (or use a gimbal or a selfie stick)
While watching a video, jerking camera movements are almost always disturbing and distracting. This must be avoided quickly from side to side when creating vertical videos with minimized space on sides.
While a normal 360-degree or pan rotation is outstanding (and even crucial), cameras cannot manage the data amount they must process once they begin to move too quickly.
Slow down when in doubt!
5 - Remember to resize as per the platform
You don’t essentially have to shoot everything at eye level or arm’s length when you shoot videos vertically.
Changing your angles and shot length will assist make your videos more interactive, and you can create something compelling out of them within the video frame.
Screen recordings are usually horizontal, but they will be vertically viewed when you upload them to Instagram. They also make sure the edges did not get cut off while uploading them and the writing is still legible.
6 - Add graphics, fun text, GIFs, or stickers
Use text that complements visuals. Make sure your text isn’t highlighting your subject. Any graphics elements, such as stickers or emojis, should follow this exact approach.
Line them up where they’ll improve your video and scale them up as required.
Pro Tip: Use Wondershare Filmora Video Editor to get your desired phone aspect ratio vertical
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Filmora provides various functions to resize your video, which means you can change video bitrate or directly crop your video when exporting. Despite resizing a video, you can also zoom your video to highlight the best section of your video. Here are certain features or functions of Filmora to resize a video. Download it now and have a try!
● Resize the video size and aspect ratio of video;
● Crop/trim/cut video to highlight an object within the video;
● Add multiple video effects
● Export the edited video portion to a mobile device, DVD, or YouTube;
● Supported OS: Mac OS X (above 10.10) and Windows (Windows 10 included).
Resize Video by Cropping
Step 1: Upload the video to the program
Firstly, upload your media via the “Import” tab or drag and drop it from the Windows File Explorer tab to the User’s Album.
Thereafter, drag videos from the User’s Album to the Timeline.
Step 2: Crop the video
You can aim at a specific part of the video by cropping and resizing your video display dimensions. Hit the added video on Timeline, a “Crop, and Zoom” button to cut the video. It will appear in the options menu.
Hit it to bring up the editing panel and crop videos.
Hit the Crop tab. Just hover the mouse to move and resize the marquee to decide how to crop the original video.
You have five options while video cropping at the bottom to assist you: Custom, 16:9, 4:3, 1:1, and 9:16 aspect radio.
Select Aspect Ratio of Project
After you launch Filmora, you can select the project aspect ratio. There are options among 16:9 (widescreen), 4:3 (standard), 9:16 (portrait), 1:1 (Instagram). Select the one you desire and begin by clicking the New Project.
Key Takeaways from This Episode
● Understanding phone aspect ratio vertical on both the Windows and iPhone.
● Different types of mobile vertical video sizes.
● Best six practices to shoot the video in the proper phone aspect ratio vertical.
When you’re taking a snapshot of someone or something and posting it to social media, you’ll need to decide if it’ll be a portrait or a landscape orientation. And that’s where the knowledge regarding the phone aspect ratio vertical comes in!
This post will dive into the rise of the phone aspect ratio vertical, including best practices on using phone ratio calculator and mobile vertical video size based on its final viewing platforms such as YouTube, Instagram, or broadcast.
In this article
01 [Why Vertical Videos Are in the Frame?](#Part 1)
02 [Different Aspect Ratios on Mobile Screens](#Part 2)
03 [Tips to Shoot a Vertical Video](#Part 3)
04 [Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone](#Part 4)
Part 1 Why Vertical Videos Are in the Frame?
Did you know that there are six aspect ratios in total for videos and photos that marketers and creators use? These aspect ratios are 9:16, 16:9, 1:1, 4:3, 3:2, 21:9. The first way to choose the right aspect ratio for your video is whether the video needs to be vertical or horizontal.
A video that’s portrait or vertical mode is taller than it is wide. The entire screen is devoted to vertical video capturing while gaining attention.
Smartphones are to be held vertically, and although you can view media always horizontally, it’s far simpler for watchers to consume media while keeping their mobile phones upright.
Vertical videos are available in different sizes, but the most standard instances come in the 9:16 aspect ratio. While the traditional format of watching videos on phones has been horizontal with an aspect ratio of 16:9, vertical videos are taller than more comprehensive, hence the reversed aspect ratio. And, this is the main reason you see vertical videos in the frame, and thus, they need to be fixed or rightly shot in terms of ideal phone aspect ratio vertical.
Part 2 Different Aspect Ratios on Mobile Screens
The aspect ratio also measures how tall or wide a display is. Still, it shouldn’t be mistaken for ‘display/screen size’ calculated by diagonally measuring throughout the screen.
The phone aspect ratio vertical is commonly written in proportions with the more petite figure on the right side and the more prominent figure on the left-hand side. It’s also sometimes called a decimal, the more prominent figure divided by, the more petite figure.
It means that a display aspect ratio of 16:9 can also be called an aspect ratio of 1.78, i.e., 16/9.
Types of Aspect ratio
● 16:9 Aspect Ratio
16:9 is one of the most common aspect ratios used on smartphones. Sometimes showcased as 1.78 or 4²:3², the aspect ratio has become typical for smartphones and other devices since 2010.
It generally means there will be 16 pixels in one direction for every 9 pixels in the other for a device with a 16:9 display.
Devices with a 16:9 aspect ratio are usually broad, and they became the standard aspect ratio for smartphones because most contents are also available in the exact format. So you would enjoy videos and gaming in full widescreen quality on a 16:9 aspect ratio device.
On the other hand, you’ll experience the “Letterboxing effect“ on devices that aren’t available in 16:9 aspect ratios and where black bars/bands appear at the bottom and the top of the content you are wandering.
● 18:9 Aspect ratio
This 18:9 aspect ratio was born out of the need to maximize the size of displays without increasing the dimensions of phone sizes.
The narrow design of 18:9 aspect ratio devices assisted for better one-hand grip, smooth multitasking, enhanced usability, and more screen real estate, etc. Yet, because contents are highly present in the 16:9 aspect ratio, there will be “black bands” at the top, bottom or to your display’s right or left.
The 18:9 aspect ratio allows for convenient usage of smartphones, provided we put the content-cropping and letterboxing aside.
● 19:9 Aspect ratio
19:9 is another smartphone aspect ratio that is becoming increasingly famous and used by top OEMs like Samsung, Huawei, ASUS, and Apple on their flagship devices.
The smartphones with a 19:9 aspect ratio are available with increased height and 19 pixels in single direction for every 9 pixels in the other. Similar to 18:9, devices with a 19:9 aspect ratio generally have pretty non-existent and slimmer bezels, but you’ll enjoy vast screen real estate with the latter.
Understanding iPhone Vertical Video Dimensions
Apple boasts a 16:9 screen for the versions of iPhone 5 onwards. Most Google/Android phones already had a 16:9 screen at that point. Thus, to export a vertical video, you would want it to be 9:16. (16:9 standing up!) and it’s the ideal size for iPhone vertical video dimensions.
The highest quality vertical video’s output is 720 Horizontal by 1280 vertical for 1080p (1080X1920).
The highest quality vertical video’s output is 576 horizontal by 1024 vertical for 720p (720X1280).
Vertical Phone Aspect Ratio for Video
Let’s now understand the mobile vertical video size! Vertical video is pretty higher than it is wide. Instead of being shown in a landscape orientation or widescreen format, the way video has traditionally intended for television and cinema and television, and the vertical video rotated by 90 degrees.
Hold your phone upright and record video in a 9:16 aspect ratio. Hence, the name vertical video is said to be!
It’s because if you horizontally hold your phone, the viewable screen area is 16:9 aspect ratio. The same standard is for most HDTV, video production, and cinema screen sizes.
Part 3 Tips to Shoot a Vertical Video
Besides using the photo ratio calculator, we’d like to enlist some tips on getting started with your phone aspect ratio vertical shooting.
1 – High production quality is not essential
Yes, the content is the king, and people or the end customers may not notice your video quality than the content. So, don’t be afraid when you start and move ahead with your DIY budget.
2 – Use the Ideal Dimensions
Whether it’s iPhone vertical video dimensions or other Android and Windows devices, you need to use the ideal dimensions already discussed above.
3 – Engage your audience better
You can incorporate little details within the video and engage your audience better. You can also add captions and burn them within the video.
4 – Optimize vertical videos
You can optimize vertical videos for viewing without sound. Try watching your videos without audio to see if they still make sense without that context. You likely won’t achieve the same excellent results made possible with good video marketing if they don’t.
5 – Capture Attention
Yes, you need to attract the audience and capture their attention within seconds. And, it’s the only or one of the best tricks t get your audience hooked for the long term. Don’t underestimate the significance of storytelling, and you can thus add them for creative looks.
Part 4 Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone
Are you looking to capture the video in the correct phone aspect ratio vertical? In this section, we will discuss a few helpful tips that will assist you in shooting a better vertical video in any condition you want to sort.
1 – Shoot in the desired or ideal aspect ratio
Any video bigger than the aspect ratio of 1:1 is vertical video.
It’s possible to create vertical videos two ways:
● By framing a camera in portrait mode.
● By rendering it vertically by scaling or cutting the video.
2 – Split the screen
You can use the tall height of the vertical frame to stack horizontal clips on top of each other creatively.
Clips can be related in appearance and content or appear to mend into one another. Various music videos have also used this technique.
You can also try merging various diagonal lines or clips for a unique look.
3 - Fill the vertical space
You can quickly fill vacant space in the frame automatically by getting closer to the subject.
When the camera is angled down and raised high, you automatically get a deep frame for filming long shots that fill space.
The above-the-head perspective provides an attractive and latest POV that serves the exact purpose.
4 - Try not to shake (or use a gimbal or a selfie stick)
While watching a video, jerking camera movements are almost always disturbing and distracting. This must be avoided quickly from side to side when creating vertical videos with minimized space on sides.
While a normal 360-degree or pan rotation is outstanding (and even crucial), cameras cannot manage the data amount they must process once they begin to move too quickly.
Slow down when in doubt!
5 - Remember to resize as per the platform
You don’t essentially have to shoot everything at eye level or arm’s length when you shoot videos vertically.
Changing your angles and shot length will assist make your videos more interactive, and you can create something compelling out of them within the video frame.
Screen recordings are usually horizontal, but they will be vertically viewed when you upload them to Instagram. They also make sure the edges did not get cut off while uploading them and the writing is still legible.
6 - Add graphics, fun text, GIFs, or stickers
Use text that complements visuals. Make sure your text isn’t highlighting your subject. Any graphics elements, such as stickers or emojis, should follow this exact approach.
Line them up where they’ll improve your video and scale them up as required.
Pro Tip: Use Wondershare Filmora Video Editor to get your desired phone aspect ratio vertical
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Filmora provides various functions to resize your video, which means you can change video bitrate or directly crop your video when exporting. Despite resizing a video, you can also zoom your video to highlight the best section of your video. Here are certain features or functions of Filmora to resize a video. Download it now and have a try!
● Resize the video size and aspect ratio of video;
● Crop/trim/cut video to highlight an object within the video;
● Add multiple video effects
● Export the edited video portion to a mobile device, DVD, or YouTube;
● Supported OS: Mac OS X (above 10.10) and Windows (Windows 10 included).
Resize Video by Cropping
Step 1: Upload the video to the program
Firstly, upload your media via the “Import” tab or drag and drop it from the Windows File Explorer tab to the User’s Album.
Thereafter, drag videos from the User’s Album to the Timeline.
Step 2: Crop the video
You can aim at a specific part of the video by cropping and resizing your video display dimensions. Hit the added video on Timeline, a “Crop, and Zoom” button to cut the video. It will appear in the options menu.
Hit it to bring up the editing panel and crop videos.
Hit the Crop tab. Just hover the mouse to move and resize the marquee to decide how to crop the original video.
You have five options while video cropping at the bottom to assist you: Custom, 16:9, 4:3, 1:1, and 9:16 aspect radio.
Select Aspect Ratio of Project
After you launch Filmora, you can select the project aspect ratio. There are options among 16:9 (widescreen), 4:3 (standard), 9:16 (portrait), 1:1 (Instagram). Select the one you desire and begin by clicking the New Project.
Key Takeaways from This Episode
● Understanding phone aspect ratio vertical on both the Windows and iPhone.
● Different types of mobile vertical video sizes.
● Best six practices to shoot the video in the proper phone aspect ratio vertical.
When you’re taking a snapshot of someone or something and posting it to social media, you’ll need to decide if it’ll be a portrait or a landscape orientation. And that’s where the knowledge regarding the phone aspect ratio vertical comes in!
This post will dive into the rise of the phone aspect ratio vertical, including best practices on using phone ratio calculator and mobile vertical video size based on its final viewing platforms such as YouTube, Instagram, or broadcast.
In this article
01 [Why Vertical Videos Are in the Frame?](#Part 1)
02 [Different Aspect Ratios on Mobile Screens](#Part 2)
03 [Tips to Shoot a Vertical Video](#Part 3)
04 [Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone](#Part 4)
Part 1 Why Vertical Videos Are in the Frame?
Did you know that there are six aspect ratios in total for videos and photos that marketers and creators use? These aspect ratios are 9:16, 16:9, 1:1, 4:3, 3:2, 21:9. The first way to choose the right aspect ratio for your video is whether the video needs to be vertical or horizontal.
A video that’s portrait or vertical mode is taller than it is wide. The entire screen is devoted to vertical video capturing while gaining attention.
Smartphones are to be held vertically, and although you can view media always horizontally, it’s far simpler for watchers to consume media while keeping their mobile phones upright.
Vertical videos are available in different sizes, but the most standard instances come in the 9:16 aspect ratio. While the traditional format of watching videos on phones has been horizontal with an aspect ratio of 16:9, vertical videos are taller than more comprehensive, hence the reversed aspect ratio. And, this is the main reason you see vertical videos in the frame, and thus, they need to be fixed or rightly shot in terms of ideal phone aspect ratio vertical.
Part 2 Different Aspect Ratios on Mobile Screens
The aspect ratio also measures how tall or wide a display is. Still, it shouldn’t be mistaken for ‘display/screen size’ calculated by diagonally measuring throughout the screen.
The phone aspect ratio vertical is commonly written in proportions with the more petite figure on the right side and the more prominent figure on the left-hand side. It’s also sometimes called a decimal, the more prominent figure divided by, the more petite figure.
It means that a display aspect ratio of 16:9 can also be called an aspect ratio of 1.78, i.e., 16/9.
Types of Aspect ratio
● 16:9 Aspect Ratio
16:9 is one of the most common aspect ratios used on smartphones. Sometimes showcased as 1.78 or 4²:3², the aspect ratio has become typical for smartphones and other devices since 2010.
It generally means there will be 16 pixels in one direction for every 9 pixels in the other for a device with a 16:9 display.
Devices with a 16:9 aspect ratio are usually broad, and they became the standard aspect ratio for smartphones because most contents are also available in the exact format. So you would enjoy videos and gaming in full widescreen quality on a 16:9 aspect ratio device.
On the other hand, you’ll experience the “Letterboxing effect“ on devices that aren’t available in 16:9 aspect ratios and where black bars/bands appear at the bottom and the top of the content you are wandering.
● 18:9 Aspect ratio
This 18:9 aspect ratio was born out of the need to maximize the size of displays without increasing the dimensions of phone sizes.
The narrow design of 18:9 aspect ratio devices assisted for better one-hand grip, smooth multitasking, enhanced usability, and more screen real estate, etc. Yet, because contents are highly present in the 16:9 aspect ratio, there will be “black bands” at the top, bottom or to your display’s right or left.
The 18:9 aspect ratio allows for convenient usage of smartphones, provided we put the content-cropping and letterboxing aside.
● 19:9 Aspect ratio
19:9 is another smartphone aspect ratio that is becoming increasingly famous and used by top OEMs like Samsung, Huawei, ASUS, and Apple on their flagship devices.
The smartphones with a 19:9 aspect ratio are available with increased height and 19 pixels in single direction for every 9 pixels in the other. Similar to 18:9, devices with a 19:9 aspect ratio generally have pretty non-existent and slimmer bezels, but you’ll enjoy vast screen real estate with the latter.
Understanding iPhone Vertical Video Dimensions
Apple boasts a 16:9 screen for the versions of iPhone 5 onwards. Most Google/Android phones already had a 16:9 screen at that point. Thus, to export a vertical video, you would want it to be 9:16. (16:9 standing up!) and it’s the ideal size for iPhone vertical video dimensions.
The highest quality vertical video’s output is 720 Horizontal by 1280 vertical for 1080p (1080X1920).
The highest quality vertical video’s output is 576 horizontal by 1024 vertical for 720p (720X1280).
Vertical Phone Aspect Ratio for Video
Let’s now understand the mobile vertical video size! Vertical video is pretty higher than it is wide. Instead of being shown in a landscape orientation or widescreen format, the way video has traditionally intended for television and cinema and television, and the vertical video rotated by 90 degrees.
Hold your phone upright and record video in a 9:16 aspect ratio. Hence, the name vertical video is said to be!
It’s because if you horizontally hold your phone, the viewable screen area is 16:9 aspect ratio. The same standard is for most HDTV, video production, and cinema screen sizes.
Part 3 Tips to Shoot a Vertical Video
Besides using the photo ratio calculator, we’d like to enlist some tips on getting started with your phone aspect ratio vertical shooting.
1 – High production quality is not essential
Yes, the content is the king, and people or the end customers may not notice your video quality than the content. So, don’t be afraid when you start and move ahead with your DIY budget.
2 – Use the Ideal Dimensions
Whether it’s iPhone vertical video dimensions or other Android and Windows devices, you need to use the ideal dimensions already discussed above.
3 – Engage your audience better
You can incorporate little details within the video and engage your audience better. You can also add captions and burn them within the video.
4 – Optimize vertical videos
You can optimize vertical videos for viewing without sound. Try watching your videos without audio to see if they still make sense without that context. You likely won’t achieve the same excellent results made possible with good video marketing if they don’t.
5 – Capture Attention
Yes, you need to attract the audience and capture their attention within seconds. And, it’s the only or one of the best tricks t get your audience hooked for the long term. Don’t underestimate the significance of storytelling, and you can thus add them for creative looks.
Part 4 Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone
Are you looking to capture the video in the correct phone aspect ratio vertical? In this section, we will discuss a few helpful tips that will assist you in shooting a better vertical video in any condition you want to sort.
1 – Shoot in the desired or ideal aspect ratio
Any video bigger than the aspect ratio of 1:1 is vertical video.
It’s possible to create vertical videos two ways:
● By framing a camera in portrait mode.
● By rendering it vertically by scaling or cutting the video.
2 – Split the screen
You can use the tall height of the vertical frame to stack horizontal clips on top of each other creatively.
Clips can be related in appearance and content or appear to mend into one another. Various music videos have also used this technique.
You can also try merging various diagonal lines or clips for a unique look.
3 - Fill the vertical space
You can quickly fill vacant space in the frame automatically by getting closer to the subject.
When the camera is angled down and raised high, you automatically get a deep frame for filming long shots that fill space.
The above-the-head perspective provides an attractive and latest POV that serves the exact purpose.
4 - Try not to shake (or use a gimbal or a selfie stick)
While watching a video, jerking camera movements are almost always disturbing and distracting. This must be avoided quickly from side to side when creating vertical videos with minimized space on sides.
While a normal 360-degree or pan rotation is outstanding (and even crucial), cameras cannot manage the data amount they must process once they begin to move too quickly.
Slow down when in doubt!
5 - Remember to resize as per the platform
You don’t essentially have to shoot everything at eye level or arm’s length when you shoot videos vertically.
Changing your angles and shot length will assist make your videos more interactive, and you can create something compelling out of them within the video frame.
Screen recordings are usually horizontal, but they will be vertically viewed when you upload them to Instagram. They also make sure the edges did not get cut off while uploading them and the writing is still legible.
6 - Add graphics, fun text, GIFs, or stickers
Use text that complements visuals. Make sure your text isn’t highlighting your subject. Any graphics elements, such as stickers or emojis, should follow this exact approach.
Line them up where they’ll improve your video and scale them up as required.
Pro Tip: Use Wondershare Filmora Video Editor to get your desired phone aspect ratio vertical
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Filmora provides various functions to resize your video, which means you can change video bitrate or directly crop your video when exporting. Despite resizing a video, you can also zoom your video to highlight the best section of your video. Here are certain features or functions of Filmora to resize a video. Download it now and have a try!
● Resize the video size and aspect ratio of video;
● Crop/trim/cut video to highlight an object within the video;
● Add multiple video effects
● Export the edited video portion to a mobile device, DVD, or YouTube;
● Supported OS: Mac OS X (above 10.10) and Windows (Windows 10 included).
Resize Video by Cropping
Step 1: Upload the video to the program
Firstly, upload your media via the “Import” tab or drag and drop it from the Windows File Explorer tab to the User’s Album.
Thereafter, drag videos from the User’s Album to the Timeline.
Step 2: Crop the video
You can aim at a specific part of the video by cropping and resizing your video display dimensions. Hit the added video on Timeline, a “Crop, and Zoom” button to cut the video. It will appear in the options menu.
Hit it to bring up the editing panel and crop videos.
Hit the Crop tab. Just hover the mouse to move and resize the marquee to decide how to crop the original video.
You have five options while video cropping at the bottom to assist you: Custom, 16:9, 4:3, 1:1, and 9:16 aspect radio.
Select Aspect Ratio of Project
After you launch Filmora, you can select the project aspect ratio. There are options among 16:9 (widescreen), 4:3 (standard), 9:16 (portrait), 1:1 (Instagram). Select the one you desire and begin by clicking the New Project.
Key Takeaways from This Episode
● Understanding phone aspect ratio vertical on both the Windows and iPhone.
● Different types of mobile vertical video sizes.
● Best six practices to shoot the video in the proper phone aspect ratio vertical.
When you’re taking a snapshot of someone or something and posting it to social media, you’ll need to decide if it’ll be a portrait or a landscape orientation. And that’s where the knowledge regarding the phone aspect ratio vertical comes in!
This post will dive into the rise of the phone aspect ratio vertical, including best practices on using phone ratio calculator and mobile vertical video size based on its final viewing platforms such as YouTube, Instagram, or broadcast.
In this article
01 [Why Vertical Videos Are in the Frame?](#Part 1)
02 [Different Aspect Ratios on Mobile Screens](#Part 2)
03 [Tips to Shoot a Vertical Video](#Part 3)
04 [Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone](#Part 4)
Part 1 Why Vertical Videos Are in the Frame?
Did you know that there are six aspect ratios in total for videos and photos that marketers and creators use? These aspect ratios are 9:16, 16:9, 1:1, 4:3, 3:2, 21:9. The first way to choose the right aspect ratio for your video is whether the video needs to be vertical or horizontal.
A video that’s portrait or vertical mode is taller than it is wide. The entire screen is devoted to vertical video capturing while gaining attention.
Smartphones are to be held vertically, and although you can view media always horizontally, it’s far simpler for watchers to consume media while keeping their mobile phones upright.
Vertical videos are available in different sizes, but the most standard instances come in the 9:16 aspect ratio. While the traditional format of watching videos on phones has been horizontal with an aspect ratio of 16:9, vertical videos are taller than more comprehensive, hence the reversed aspect ratio. And, this is the main reason you see vertical videos in the frame, and thus, they need to be fixed or rightly shot in terms of ideal phone aspect ratio vertical.
Part 2 Different Aspect Ratios on Mobile Screens
The aspect ratio also measures how tall or wide a display is. Still, it shouldn’t be mistaken for ‘display/screen size’ calculated by diagonally measuring throughout the screen.
The phone aspect ratio vertical is commonly written in proportions with the more petite figure on the right side and the more prominent figure on the left-hand side. It’s also sometimes called a decimal, the more prominent figure divided by, the more petite figure.
It means that a display aspect ratio of 16:9 can also be called an aspect ratio of 1.78, i.e., 16/9.
Types of Aspect ratio
● 16:9 Aspect Ratio
16:9 is one of the most common aspect ratios used on smartphones. Sometimes showcased as 1.78 or 4²:3², the aspect ratio has become typical for smartphones and other devices since 2010.
It generally means there will be 16 pixels in one direction for every 9 pixels in the other for a device with a 16:9 display.
Devices with a 16:9 aspect ratio are usually broad, and they became the standard aspect ratio for smartphones because most contents are also available in the exact format. So you would enjoy videos and gaming in full widescreen quality on a 16:9 aspect ratio device.
On the other hand, you’ll experience the “Letterboxing effect“ on devices that aren’t available in 16:9 aspect ratios and where black bars/bands appear at the bottom and the top of the content you are wandering.
● 18:9 Aspect ratio
This 18:9 aspect ratio was born out of the need to maximize the size of displays without increasing the dimensions of phone sizes.
The narrow design of 18:9 aspect ratio devices assisted for better one-hand grip, smooth multitasking, enhanced usability, and more screen real estate, etc. Yet, because contents are highly present in the 16:9 aspect ratio, there will be “black bands” at the top, bottom or to your display’s right or left.
The 18:9 aspect ratio allows for convenient usage of smartphones, provided we put the content-cropping and letterboxing aside.
● 19:9 Aspect ratio
19:9 is another smartphone aspect ratio that is becoming increasingly famous and used by top OEMs like Samsung, Huawei, ASUS, and Apple on their flagship devices.
The smartphones with a 19:9 aspect ratio are available with increased height and 19 pixels in single direction for every 9 pixels in the other. Similar to 18:9, devices with a 19:9 aspect ratio generally have pretty non-existent and slimmer bezels, but you’ll enjoy vast screen real estate with the latter.
Understanding iPhone Vertical Video Dimensions
Apple boasts a 16:9 screen for the versions of iPhone 5 onwards. Most Google/Android phones already had a 16:9 screen at that point. Thus, to export a vertical video, you would want it to be 9:16. (16:9 standing up!) and it’s the ideal size for iPhone vertical video dimensions.
The highest quality vertical video’s output is 720 Horizontal by 1280 vertical for 1080p (1080X1920).
The highest quality vertical video’s output is 576 horizontal by 1024 vertical for 720p (720X1280).
Vertical Phone Aspect Ratio for Video
Let’s now understand the mobile vertical video size! Vertical video is pretty higher than it is wide. Instead of being shown in a landscape orientation or widescreen format, the way video has traditionally intended for television and cinema and television, and the vertical video rotated by 90 degrees.
Hold your phone upright and record video in a 9:16 aspect ratio. Hence, the name vertical video is said to be!
It’s because if you horizontally hold your phone, the viewable screen area is 16:9 aspect ratio. The same standard is for most HDTV, video production, and cinema screen sizes.
Part 3 Tips to Shoot a Vertical Video
Besides using the photo ratio calculator, we’d like to enlist some tips on getting started with your phone aspect ratio vertical shooting.
1 – High production quality is not essential
Yes, the content is the king, and people or the end customers may not notice your video quality than the content. So, don’t be afraid when you start and move ahead with your DIY budget.
2 – Use the Ideal Dimensions
Whether it’s iPhone vertical video dimensions or other Android and Windows devices, you need to use the ideal dimensions already discussed above.
3 – Engage your audience better
You can incorporate little details within the video and engage your audience better. You can also add captions and burn them within the video.
4 – Optimize vertical videos
You can optimize vertical videos for viewing without sound. Try watching your videos without audio to see if they still make sense without that context. You likely won’t achieve the same excellent results made possible with good video marketing if they don’t.
5 – Capture Attention
Yes, you need to attract the audience and capture their attention within seconds. And, it’s the only or one of the best tricks t get your audience hooked for the long term. Don’t underestimate the significance of storytelling, and you can thus add them for creative looks.
Part 4 Top 6 Practices for Creating Phone Aspect Ratio Vertical on Your Smartphone
Are you looking to capture the video in the correct phone aspect ratio vertical? In this section, we will discuss a few helpful tips that will assist you in shooting a better vertical video in any condition you want to sort.
1 – Shoot in the desired or ideal aspect ratio
Any video bigger than the aspect ratio of 1:1 is vertical video.
It’s possible to create vertical videos two ways:
● By framing a camera in portrait mode.
● By rendering it vertically by scaling or cutting the video.
2 – Split the screen
You can use the tall height of the vertical frame to stack horizontal clips on top of each other creatively.
Clips can be related in appearance and content or appear to mend into one another. Various music videos have also used this technique.
You can also try merging various diagonal lines or clips for a unique look.
3 - Fill the vertical space
You can quickly fill vacant space in the frame automatically by getting closer to the subject.
When the camera is angled down and raised high, you automatically get a deep frame for filming long shots that fill space.
The above-the-head perspective provides an attractive and latest POV that serves the exact purpose.
4 - Try not to shake (or use a gimbal or a selfie stick)
While watching a video, jerking camera movements are almost always disturbing and distracting. This must be avoided quickly from side to side when creating vertical videos with minimized space on sides.
While a normal 360-degree or pan rotation is outstanding (and even crucial), cameras cannot manage the data amount they must process once they begin to move too quickly.
Slow down when in doubt!
5 - Remember to resize as per the platform
You don’t essentially have to shoot everything at eye level or arm’s length when you shoot videos vertically.
Changing your angles and shot length will assist make your videos more interactive, and you can create something compelling out of them within the video frame.
Screen recordings are usually horizontal, but they will be vertically viewed when you upload them to Instagram. They also make sure the edges did not get cut off while uploading them and the writing is still legible.
6 - Add graphics, fun text, GIFs, or stickers
Use text that complements visuals. Make sure your text isn’t highlighting your subject. Any graphics elements, such as stickers or emojis, should follow this exact approach.
Line them up where they’ll improve your video and scale them up as required.
Pro Tip: Use Wondershare Filmora Video Editor to get your desired phone aspect ratio vertical
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Filmora provides various functions to resize your video, which means you can change video bitrate or directly crop your video when exporting. Despite resizing a video, you can also zoom your video to highlight the best section of your video. Here are certain features or functions of Filmora to resize a video. Download it now and have a try!
● Resize the video size and aspect ratio of video;
● Crop/trim/cut video to highlight an object within the video;
● Add multiple video effects
● Export the edited video portion to a mobile device, DVD, or YouTube;
● Supported OS: Mac OS X (above 10.10) and Windows (Windows 10 included).
Resize Video by Cropping
Step 1: Upload the video to the program
Firstly, upload your media via the “Import” tab or drag and drop it from the Windows File Explorer tab to the User’s Album.
Thereafter, drag videos from the User’s Album to the Timeline.
Step 2: Crop the video
You can aim at a specific part of the video by cropping and resizing your video display dimensions. Hit the added video on Timeline, a “Crop, and Zoom” button to cut the video. It will appear in the options menu.
Hit it to bring up the editing panel and crop videos.
Hit the Crop tab. Just hover the mouse to move and resize the marquee to decide how to crop the original video.
You have five options while video cropping at the bottom to assist you: Custom, 16:9, 4:3, 1:1, and 9:16 aspect radio.
Select Aspect Ratio of Project
After you launch Filmora, you can select the project aspect ratio. There are options among 16:9 (widescreen), 4:3 (standard), 9:16 (portrait), 1:1 (Instagram). Select the one you desire and begin by clicking the New Project.
Key Takeaways from This Episode
● Understanding phone aspect ratio vertical on both the Windows and iPhone.
● Different types of mobile vertical video sizes.
● Best six practices to shoot the video in the proper phone aspect ratio vertical.
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- Title: Updated 2024 Approved Premiere Pro System Essentials What You Need to Know Before You Start
- Author: Ava
- Created at : 2024-04-29 13:21:23
- Updated at : 2024-04-30 13:21:23
- Link: https://video-content-creator.techidaily.com/updated-2024-approved-premiere-pro-system-essentials-what-you-need-to-know-before-you-start/
- License: This work is licensed under CC BY-NC-SA 4.0.
